Allan Holdsworth – Atavachron – Music. Find album reviews, stream songs, credits and award information for Atavachron – Allan Holdsworth on AllMusic – – For a little background, back in the ’80s. Atavachron is a music studio album recording by ALLAN HOLDSWORTH (Jazz Rock/Fusion/Progressive Rock) released in on cd, lp / vinyl and/or cassette.
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Much more recently, Holdsworth worked with a US-based group called K2 who recorded an excellent Symphonic Prog album in that featured holdsworrh of his distinctive guitar playing but beneficially restrained by a band environment. Holdsworth’s songs take you where no other guitarist goes, and his fluid soloing over difficult to master chord progressions is just amazing.
Enough with the warnings: That’s why he constantly improvises and hates playing the same solo again and again. This is indeed an interesting instrument and the distinctive sound it produces is appealing in moderate doses. Introspection Late Night Partying.
Non-Brewed Condiment Allan Holdsworth. Patterson of AllMusic gave Atavachron four stars out of five, describing it as “semi- progressive ” with a “symphonic element” and praising it as “clear evidence of the genius Holdsworth holdswortth demonstrating release after release”. Please consider supporting us by disabling holsdworth ad blocker.
Articles with hAudio microformats. Other sites in the MAC network: Looking Glass Allan Holdsworth. Views Read Edit View history. Forum user Forum password. Still, of you don’t like a sound which is too synth drenched, the album might not be a good choice for you. However, there are some good standout tracks like “Funnels” featuring some beautiful chord-melody work from Allanthe title track and “Looking Glass”, a beautifully complex and yet melodic piece featuring Allan’s one-time musical employer Tony Williams playing his butt off!
Romantic Evening Sex All Themes. Indeed, comparing this album to anything else Holdsworth had made up to that point that I have heardsolo or in different bands, this comes off as rather weak.
Atavachron sounds like nothing you’ve ever heard. The jazz is being offered mostly by Allan’s improvising and by the compositions which are really listening music: But main problem is who else is interested in listening this experiments in sounds.
ALLAN HOLDSWORTH Atavachron reviews
Gary Husband is still one of the best drummers-pianists out there and he truly shines here. I think that the biggest feat of Allan Holdsworth is his continuous struggle not to lose his identity and furthermore, to imprint it to all of his work. His compositional style, which consists of chords that sometimes sound strung together in random fashion, is demanding for the listener, and if you are not in the correct frame of mind, often tedious.
The melody lines of that song are very unusual, though: His intention was holdswrth to become a professional musician. What was unique was that guitarists could therefore play a synthesizer without needing a great amount of keyboard expertise.
Tony Williams is the legendary aatvachron who at the age of seventeen joined Miles Davis quintet! Possibly, could be interesting for musicians, some heavy fans, but generally it is one of weakest Holdsworth albums ever. The Best of Allan Holdsworth: Drinking Hanging Out In Love.
Not really my cup of tea at all, I must say. Thankfully, Allan has done far superior albums to this one, it has its moments but for the first-timer, don’t start here! I’ll admit, I have to be in atqvachron right mood to listen to a Holdsworth album.
Nonetheless, if you have the energy to follow the songs, it can be quite rewarding. To a degree I also enjoy the album Holdsworth did with Jon Hiseman’s Tempest earlier on in the 70’s, though Holdsworth had not yet really developed his distinctive sound at that point.
Not of this holsdworth This release offered a semi-progressive symphonic element and served to ever stretch the boundaries of jazz fusion.
By the way, the album is a good fusion of jazz and rock. The Dominant Plague Allan Holdsworth. Retrieved from ” https: Non Brewed Condiment 2.